Monolith Studio

Published in: The Architects diary
Publication date: 13 October 2025.

The project, titled the monolith studio, is a 1200 sq. ft. writer’s office in Madras, envisioned as a retreat that balances functionality with atmosphere. The client, a writer by profession, wanted more than a conventional workspace. His request was for an office that would nurture stillness and focus, while carrying just enough character to inspire imagination. It had to be a quiet space but not empty, minimal but not cold — a place where words could flow as naturally as light.Site

Challenges from the Outset
The site presented challenges from the outset. “They handed over a dilapidated, termite-infested apartment with an outdated layout.” Partition walls cut off natural ventilation, and windows were unable to bring in daylight effectively. The overall ambience was heavy, dark, and disconnected — the very opposite of what the client envisioned. The design approach began with subtraction: dismantling inefficient partitions, clearing the visual clutter, and opening the space into a more fluid, connected environment. “A plan anchored by a single central wall emerged.” This wall became the project’s spine — consolidating services, including the bathroom, while freeing the rest of the interiors to remain open and expansive.

Travel-Inspired Materiality
The inspiration for materiality and tonality came from the client’s recent travels. “During a visit to Egypt, the raw tactility of spaces, the earthy tones of architecture, and the way light shaped volume struck him.” Translating these impressions, the design employs oxide finishes in a warm taupe tone that wrap the floors, walls, and in-built furniture. This created a seamless, quiet space in a monolithic shell that feels timeless and grounding. Beyond aesthetics, oxide was also a pragmatic response to the site’s condition: avoiding wood joinery in a termite-prone space, while allowing surfaces to evolve with irregularity and patina over time.

Furniture was approached as an extension of the architecture. In-built pieces, cast in-situ and finished in oxide, serve as sculptural yet functional anchors — from shelving to seating. Freestanding furniture was kept minimal and light, ensuring the clarity of the space remained intact. Among these, a custom-designed folding partition in a wooden frame with woven rattan panels plays a key role.

Light, Flexible Partitioning
Positioned between the director’s desk and the adjoining sofa lounge, the partition creates a sense of privacy without visual heaviness. Its perforated rattan surface filters light, maintaining connection between zones, while its folding mechanism allows the office to shift from focused solitude to an open, social setting with ease.

Subtle Evening Illumination
Light became an active material in the project. The reconfigured plan enabled daylight to travel across the space, softening the monolithic oxide surfaces. Windows were dressed with light linen treatments that diffuse glare and frame glimpses of greenery outside. This constant interplay between interior texture and exterior view blurs boundaries, creating a workspace that feels both intimate and expansive. Artificial lighting was kept discreet, with focused fixtures creating pockets of glow in the evenings — supporting long writing sessions without overwhelming the mood.

Continuity with Intentional Interruptions
Though continuity defines the space, it is punctuated by crafted details. In the bathroom, a hand-laid tile mosaic wall introduces rhythm and texture, offering a deliberate pause within the otherwise seamless environment. It is a moment where the project steps away from uniformity and acknowledges the beauty of detail — a subtle reminder of the layered process of writing itself.

The restrained color palette further amplifies the sense of calm. Taupe oxide dominates, its tonal shifts accentuated by natural light. Textiles in muted neutrals, pottery in darker shades, and handcrafted accents add depth without disrupting simplicity. This layered minimalism ensures the space never feels stark; instead, it exudes warmth and quiet character.

The result is an office that is more than a place of work. It is a writer’s retreat, one that rejects the clutter and distraction of conventional urban interiors. Its uniqueness lies in its ability to merge practicality with atmosphere — where the architecture itself becomes a collaborator in the creative process. The monolithic oxide shell provides grounding, while carefully curated details invite reflection and inspiration.

Ultimately, Project The Monolith studio is about stillness. It is about creating a space where silence has texture, where materiality supports thought, and where design enables the rhythm of creativity. Minimal yet tactile, restrained yet expressive, it stands as the ideal setting for a writer to pause, imagine, and create.

Fact File

Designed by: AMJ (Architect Mahalakshmi Jegadeesh)

Project Type: Office interior Design

Project Name: Monolith Studio

Location: Madras

Year Built: 2025

Duration of the project: 5 Months

Project Size: 1000 Sq.ft

Principal Architect: Ar. Mahalakshmi Jegadeesh

Team Design Credits: Ar. Depikaa & ID. Sneha

Photograph Courtesy: Vignesh

Read the article: https://thearchitectsdiary.com/monolith-studio-is-a-quiet-space-that-is-minimal-but-not-cold-amj-architect-mahalakshmi-jegadeesh/